Download (244 MB):
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Copy, damn! is a documentary directed intellectual property by Stéphane M. Thick. It is the first content licensed under Creative Commons (BY / NC 3.0 license) is issued for English television and that can be downloaded freely through RTVE.es. In the documentary, the characters discover they are now at the center of the debate on new ethical and moral challenges posed by the digital revolution, as the lawyer David Bravo or writer Lorenzo Silva.
Information:
involved in the documentary:
Javier de la Cueva (intellectual property lawyer), Enrique Loras (Director General of the SGAE), Lorenzo Silva (writer), Fernando Evol (President of YELMO CINEPLEX , hi cinema), Ignasi Labastida (Creative Commons Spain), José Manuel Tourne (Dir. Gen. of the Federation for the Protection of Intellectual Property), Simona Levi (La_EX, former eXgae), David Bravo (intellectual property lawyer) Elena Cabrera (AUTOREVERSE Netlabel), Pilar Reyes (Alfaguara Editorial Director), Ignacio Escolar (journalist and blogger), Magdalena Vinent (Director General of CEDRO) and Alfonso Arias (musician).
This documentary is the first issue RTVE will be available in full under a Creative Commons license. RTVE provides for free download every single interview, at length, for those who want to deepen the subject or take advantage of to enrich their own video, podcast, text on the subject.
See RTVE:
http://www.rtve.es/alacarta/videos/el-documental/documental-copiad-malditos/1075737/
The project and the documentary:
What is IP?
To what extent can have an idea?
What rights flow from this property is widely recognized by law since the time of the industrial revolution?
The law is clear about it and under it, for decades, calls have proliferated rights management entities such as SGAE, CEDRO, VEGAP etc. in theory, dedicated to protecting the rights of authors. But for some years and especially since the advent of the information society on a massive scale, the entire system, on which there was some consensus is being challenged constantly. Winds of, and raise new questions. To what extent can be a crime to copy?
Do not copy all constantly when we think and believe?
A new battle has begun, the record companies complain of losses in the millions by the famous "top manta" and
downloads and file sharing online, while users are asked to be allowed use a technology that is available
and can not look away. The police start to act on the streets but the Internet has become a major area of \u200b\u200bexchange
beyond any control, there are those who say that this has always existed, who has not recorded an album to a friend
on tape ?
Things evolve, and publishing business models exist that are not based on the restriction, but in the free publication of the works
Internet, which, curiously, does not make sales of the works published in the paper down, as buyers feel more confident in
to read what they want before buying. Something new is also happening in the music business, there are already thousands of
groups and artists who post their work on forgetting Internet intermediaries, the user can download his songs, enjoy, share etc
. The musicians who aspire to use this system to fill concert halls and so living from their art without denying the public
inevitable, the right to copy.
This opens a new sense of intellectual property that already has millions of followers, is the COPYLEFT. But the traditional structures that teeter
against the unstoppable technological change, are defended tooth and nail. For quite some time has SGAE
managed to be granted the right to charge a fee to use any material which can be recorded. The result is the outrage
of users and especially the Internet to see how expensive the prices of CD's and DVD's no matter to
that will be used. There are already several bills that would question the right to charge for using a recording medium. It would
by many lawyers to put a tax on the role of the XXI century. Something like a new stationery, digitally clear.
In Copy, damn! we will discover that the characters are now at the center of this struggle. Citizens who have
up the courage and the selfless help of experienced lawyers, have launched a legal fight against powerful SGAE,
which in turn predicts the end of the culture and the creation if it does not address their demands.
We will meet the drivers and numerous new avenues for publishing and distribution of works. Publishers and authors XXI century
who maintain that the creation is argued to share and fortunately, today
intellectual creation enjoys good health. We also meet the developers of new licenses, other than copyright, which allow you to share the works discriminated between commercial and noncommercial they see as the future of the dissemination of culture, retain their rights as creators.
try to unravel the legal network today governing intellectual property, a series of legal texts incomprehensible to most citizens, however, are daily affected by its implementation. Also know all the alternatives that are raised in a serious manner by those who think that these laws were designed for a world that is no longer the world we live. And we will address the thorny issue of business models that are disappearing along with others who are born in the heat of the new possibilities offered by technology. We will also make a profound reflection on the ethical and moral implications of current copyright models and what new avenues are opening up and exploring for future development of current models.
Some of the characters involved in the documentary are: Javier de la Cueva (intellectual property lawyer), Enrique Loras (Director General of the SGAE), Lorenzo Silva (writer), Fernando Evol (President of YELMO CINEPLEX, cinema chain), Ignasi Labastida (Creative Commons Spain), José Manuel Tourne (Dir. Gen. of the Federation for the Protection of Intellectual Property), Simona Levi (La_EX, former eXgae), David Bravo (property lawyer intellectual), Elena Cabrera (AUTOREVERSE Netlabel), Pilar Reyes (Alfaguara Editorial Director), Ignacio Escolar (journalist and blogger), Magdalena Vinent (Director General of CEDRO) or Alfonso Arias (musician). Copy
, damn! seeks to go beyond theory, self-reflective and also document how the production of the film under a Creative Commons license. This documentary makes a unique and strange film. This will allow free copying and distribution of the film for non-commercial use. The development of a web parallel to the project ensures two-way contact with potential viewers and netizens interested Documentary on the subject.
Official Blog:
http://copiadmalditos.blogspot.com/p/el-documental.html
Go and / or download the document from the official blog: (Note: Only you can view or download here submitted after the English TV. - TVE broadcast - Sunday April 17th at 22h in 2)
http://copiadmalditos.blogspot.com/p/videos-el-documental.html
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